Brahms the Autumnal
Cyclical and Progressive Structures and Meanings in Im Herbst, Op. 104 #5
Frank Samarotto,
Indiana University, Bloomington, USA
Brahms’s late setting of Klaus…Read More →
is Associate Professor of Music Theory at Indiana University Bloomington, teaching there since 2001, and was previously at the College-Conservatory of Music at the University of Cincinnati. He was a workshop leader at the Mannes Institute for Advanced Studies in Music Theory Summer Institute in Schenkerian Theory and Analysis in 2002, a workshop leader and invited presenter at the first conferences in Germany devoted to Schenkerian theory and analysis held in Berlin, Sauen, and Mannheim in June of 2004, and gave a week of lectures on voice-leading and musical time at the Sibelius Academy in Helsinki in 2007. He has served as a visiting scholar at Emory University, the Penn State School of Music, Bowling Green State University, Notre Dame, McGill University, and Yale University and was the keynote speaker at the 27th Annual Music Theory Forum at Florida State University. His publications have appeared in Schenker Studies II, the Beethoven Forum, Theory and Practice, Music Theory Spectrum, Music Theory Online, Integral and in conference proceedings, as well as a festschrift for Carl Schachter and a recent anthology on sonata form edited by Gordon Sly. He is currently working on a book on Schenkerian theory and analysis. E-mail: fsamarot@indiana.edu
Cyclical and Progressive Structures and Meanings in Im Herbst, Op. 104 #5
Frank Samarotto,
Indiana University, Bloomington, USA
Brahms’s late setting of Klaus…Read More →
Privacy Policy Designed using Magazine Hoot. Powered by WordPress.