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Choral Technique (Page 2)

The “Sistine” Chapel of Papal Music: between tradition and modernity

2017-07-15
By: Andrea Angelini
On: July 15, 2017
In: Choral Technique
With: 0 Comments
Interview with the choirmaster-conductor, Mons. Massimo Palombella

by Andrea Angelini, choral director, composer, ICB director Read More →

Singing is a Human Right for a Child (Part One)

2017-04-15
By: Oscar Escalada
On: April 15, 2017
In: Choral Technique
With: 1 Comment

Oscar Escalada, choral director, composer and professor

 

In the first part of my book A Choir in Ea…Read More →

Heterophonic Vocal Music Training: Extending Sound Before Symbol

2017-04-15
By: Raymond Reimer Uy
On: April 15, 2017
In: Choral Technique
With: 0 Comments

Raymond Reimer Uy, Jr., choral educator and singer

Music teachers, like all educators, critically reflect on how they are preparing their students to apply the subject matter outside of the classroom. The goal of musical literacy …Read More →

Teaching Vocal Sight Reading from Medieval Times through to the 20th Century: Crucial Points for Methodology

2017-01-15
By: Lucio Ivaldi
On: January 15, 2017
In: Choral Technique, Choral World News
With: 1 Comment

Lucio Ivaldi, choir director and instructor

 

Many aspects related to ancient song have yet to be studied adequately. As Bruno Baudissone argues:

The recovery of ancient music and its practices began with inst…Read More →

Conducting the Score - Part One: The Drama of Conducting

2017-01-15
By: Tim Sharp
On: January 15, 2017
In: Choral Technique
With: 0 Comments

Tim Sharp, Choral Conductor, Executive Director of the American Choral Directors Association

When we think of a staged drama, whether a play, opera, or musical, certain elements come to mind. Actors, stage, curtains, scri…Read More →

Divided Choirs: Myth or reality? Acoustic Experiments in St Mark’s Basilica, Venice

2017-01-15
By: Andrea Angelini
On: January 15, 2017
In: Choral Technique
With: 0 Comments

Andrea Angelini, ICB Managing Editor, Choral Conductor and Musicologist

The premise on which this research1 is based suggests that the architects and musicians who operated in Venice during the Renaissance period were m…Read More →

iPads, Androids, and Slates: Tablet Computing and Choral Music in 2016

2016-10-15
By: Philip Copeland
On: October 15, 2016
In: Choral Technique
With: 0 Comments

By Philip Copeland, choral conductor and teacher

In our rapidly changing technological society, choral musicians and conductors often choose to explore the tablet computer as a replacement for their paper-based choral music folder. …Read More →

Performing Polyphony (part 2)

2016-10-15
By: Peter Phillips
On: October 15, 2016
In: Choral Technique
With: 0 Comments

By Peter Phillips – Director of the Tallis Scholars

Read More →

Performing Polyphony (part 1)

2016-07-02
By: Peter Phillips
On: July 2, 2016
In: Choral Technique
With: 0 Comments

By Peter Phillips – Director of the Tallis Scholars

Brodsky’s misgivings about Ezra Pound’s Cantos could stand for many old-fashioned interpretations of polyphony: take a piece of music that looks simple, something apparently elemen…Read More →

The Voice in Nature and in Man

2016-04-15
By: Giacomo Monica
On: April 15, 2016
In: Choral Technique
With: 0 Comments

By Giacomo Monica, choir director and teacher

1. The Harmonious Aesthetic Beauty

A possible dialogue between the sounds of the stones (voice of nature) and the human voice (in the choir)

…Read More →

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