The “Sistine” Chapel of Papal Music: between tradition and modernity
Interview with the choirmaster-conductor, Mons. Massimo Palombella
by Andrea Angelini, choral director, composer, ICB director Read More →
by Andrea Angelini, choral director, composer, ICB director Read More →
Oscar Escalada, choral director, composer and professor
Raymond Reimer Uy, Jr., choral educator and singer
Music teachers, like all educators, critically reflect on how they are preparing their students to apply the subject matter outside of the classroom. The goal of musical literacy …Read More →
Lucio Ivaldi, choir director and instructor
Many aspects related to ancient song have yet to be studied adequately. As Bruno Baudissone argues:
The recovery of ancient music and its practices began with inst…Read More →
Tim Sharp, Choral Conductor, Executive Director of the American Choral Directors Association
When we think of a staged drama, whether a play, opera, or musical, certain elements come to mind. Actors, stage, curtains, scri…Read More →
Andrea Angelini, ICB Managing Editor, Choral Conductor and Musicologist
The premise on which this research1 is based suggests that the architects and musicians who operated in Venice during the Renaissance period were m…Read More →
By Philip Copeland, choral conductor and teacher
In our rapidly changing technological society, choral musicians and conductors often choose to explore the tablet computer as a replacement for their paper-based choral music folder. …Read More →
By Peter Phillips – Director of the Tallis Scholars
Brodsky’s misgivings about Ezra Pound’s Cantos could stand for many old-fashioned interpretations of polyphony: take a piece of music that looks simple, something apparently elemen…Read More →
By Giacomo Monica, choir director and teacher
1. The Harmonious Aesthetic Beauty
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