Skip to content
The IFCM Magazine

Your Choral Voice in the world

Secondary Navigation Menu
Menu
  • Home
  • ICB Collection
    • 2020
      • April 2020
      • January 2020
    • 2019
      • October 2019
      • July 2019
      • April 2019
      • January 2019
    • 2018
      • October 2018
      • July 2018
      • April 2018
      • January 2018
    • 2017
      • October 2017
      • July 2017
      • April 2017
      • January 2017
    • 2016
      • October 2016
      • July 2016
      • April 2016
      • January 2016
    • 2015
      • October 2015
      • July 2015
      • April 2015
      • January 2015
    • 2014
      • October 2014
      • July 2014 – WSCM10 Program Book
      • April 2014
      • January 2014
    • 2013
      • October 2013
      • July 2013
      • April 2013
      • January 2013
    • 2012
      • October 2012
      • July 2012
      • April 2012
      • January 2012
    • 2011
      • October 2011
      • July 2011
      • April 2011
      • January 2011
    • 2010
      • October 2010
      • July 2010
      • April 2010
      • January 2010
    • 2009
      • October 2009
      • July 2009
      • April 2009
      • January 2009
    • 2008
      • October 2008
      • July 2008
      • April 2008
      • January 2008
    • 2007
      • October 2007
      • July 2007
      • April 2007
      • January 2007
    • 2006
      • October 2006
      • July 2006
      • April 2006
      • January 2006
    • 2005
      • October 2005
      • July 2005
    • 1991
      • October 1991
      • April 1991
  • Translators needed!
  • Propose an article
  • ICB Sections
    • Message from the President
    • Message from the Editor
    • DossierPosts about the ICB dossier content
    • IFCM News
    • Choral World News
    • Choral Technique
    • Impossible Interviews
    • Repertoire
    • Composers’ Corner
    • Book Review
    • CD Review
  • ICB Space Order
  • ICB STAFF
  • Events
  • Français Français
    • English English
    • Deutsch Deutsch
    • Español Español

CD Review

Le Choix du Critique… Lux in Tenebris: Oratorium aus Klang, Text und Licht

2017-04-15
By: T.J. Harper
On: April 15, 2017
In: CD Review
With: 0 Comments

Par T. J. Harper, D. M. A., chef de chœur et professeur

Lux in Tenebris: Oratorium aus Klang, Text und Licht
Read More →

Le choix du critique… Cantate Domino Canticum Novum, Kammerchor I Vocalisti

2017-04-15
By: T.J. Harper
On: April 15, 2017
In: CD Review
With: 0 Comments

Par T. J. Harper, D.M.A. chef de chœur et professeur

Cantate Domino Canticum Novum
Read More →

Le choix du critique … Prières et poèmes, Le Chœur des Anciens Étudiants de l’ACJC & Valarie Wilson, Chef de chœur (Singapour)

2017-01-15
By: Tobin Sparfeld
On: January 15, 2017
In: CD Review
With: 0 Comments

Par Tobin Sparfeld, critique musical, chef de chœur et enseignant

 

Read More →

Le choix du critique... Chor Leoni/Wandering Heart, Erick Lichte, Directeur Artistique

2017-01-15
By: T.J. Harper
On: January 15, 2017
In: CD Review
With: 0 Comments

T. J. Harper, DMA Docteur en Arts Musicaux, chef de chœur et professeur

 

Read More →

Le choix du critique: Toksični Psalmi - Toxic Psalms: Carmina Slovenica

2016-04-01
By: Tobin Sparfeld
On: April 1, 2016
In: CD Review
With: 0 Comments

Par Tobin Sparfeld, enseignant et chef de chœur

 

Toksični Psalmi – Toxic Psalms: Carmina Slovenica

Karmina Šilec, directrice artisti…Read More →

Critic’s Pick … 2

2013-04-15
By: David Swinson
On: April 15, 2013
In: CD Review
With: 0 Comments

“Australian Voices” (Warner Classics 0825646548606)

Gordon Hamilton, chef de chœur

 

Read More →

Choix du Critique…1

2013-04-15
By: Jonathan Slawson
On: April 15, 2013
In: CD Review
With: 0 Comments

Graces & Voices: Mysterium Crucis

Rondeau Production ROP6067…Read More →

Revue de Partitions Chorales

2013-01-15
By: Debra Shearer-Dirié
On: January 15, 2013
In: CD Review
With: 0 Comments

Programme Idées par Debra Shearer-Dirié

 

Emanuele d’Astorga  Stabat Mater

SATB et accompagnement

Oxford University Press

C’est au XIVème siècle que le te…Read More →

Critic’s Pick…

2013-01-15
By: Jonathan Slawson
On: January 15, 2013
In: CD Review
With: 0 Comments

VOCES8 – Tapisserie chorale

Read More →

Critic’s Pick: Endless Borders, Bo Hansson (Hyperion CDA67881) The Choir of Royal Holloway, dir. Rupert Gough

2012-10-15
By: Debra Shearer-Dirié
On: October 15, 2012
In: CD Review
With: 0 Comments

Read More →

Posts navigation

1 2 3 Next

IFCM Partners

International Music Council

Sponsoring

Translate

Go to Today

july, 2020

Sort Options

Sort By:

date

Date

No Events

Categories

  • Book Review
  • CD Review
  • Children & Youth Choirs
  • Choral Technique
  • Choral World News
  • Composers' Corner
  • Dossier
  • IFCM News
  • Message from the Editor
  • Message from the President
  • Repertoire
  • Stories

Archives

  • April 2020
  • January 2020
  • April 2019
  • January 2019
  • October 2018
  • April 2018
  • January 2018
  • July 2017
  • April 2017
  • January 2017
  • October 2016
  • July 2016
  • April 2016
  • January 2016
  • October 2015
  • July 2015
  • April 2015
  • January 2015
  • October 2014
  • April 2014
  • October 2013
  • July 2013
  • April 2013
  • January 2013
  • October 2012
  • July 2012
  • April 2012
  • January 2012
  • October 2011
  • July 2011
  • April 2011
  • January 2011
  • October 2010
  • July 2010
  • April 2010
  • January 2010
  • October 2009

Daily Top Posts

  • Movable Do and Fixed Do: What they are, what they aren’t...
    Movable Do and Fixed Do: What they are, what they aren’t...
  • “I love the intense emotionality and directness of choral singing.”
    “I love the intense emotionality and directness of choral singing.”
  • Positioning Singers for Optimal Sound
    Positioning Singers for Optimal Sound
  • The Choral World in Poland
    The Choral World in Poland
  • Byzantine Chant, Choral Music of Oriental Christianity
    Byzantine Chant, Choral Music of Oriental Christianity
  • The Madrigal and Rhetorical Figures
    The Madrigal and Rhetorical Figures
  • The Use of the International Phonetic Alphabet in the Choral Rehearsal
    The Use of the International Phonetic Alphabet in the Choral Rehearsal
  • Renaissance Pitch, A Practical Approach
    Renaissance Pitch, A Practical Approach

Facebook Page

Facebook Page

Contacts & Info

International Federation for Choral Music (IFCM)
Nadine Robin, IFCM Office Manager
PO Box 42318
Austin TX 78704, USA
office@ifcm.net

Privacy Policy Designed using Magazine Hoot. Powered by WordPress.

We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.OkNoPrivacy policy