Skip to content
The IFCM Magazine

Your Choral Voice in the world

Secondary Navigation Menu
Menu
  • Home
  • ICB Collection
    • 2020
      • October 2020
      • July 2020
      • April 2020
      • January 2020
    • 2019
      • October 2019
      • July 2019
      • April 2019
      • January 2019
    • 2018
      • October 2018
      • July 2018
      • April 2018
      • January 2018
    • 2017
      • October 2017
      • July 2017
      • April 2017
      • January 2017
    • 2016
      • October 2016
      • July 2016
      • April 2016
      • January 2016
    • 2015
      • October 2015
      • July 2015
      • April 2015
      • January 2015
    • 2014
      • October 2014
      • July 2014 – WSCM10 Program Book
      • April 2014
      • January 2014
    • 2013
      • October 2013
      • July 2013
      • April 2013
      • January 2013
    • 2012
      • October 2012
      • July 2012
      • April 2012
      • January 2012
    • 2011
      • October 2011
      • July 2011
      • April 2011
      • January 2011
    • 2010
      • October 2010
      • July 2010
      • April 2010
      • January 2010
    • 2009
      • October 2009
      • July 2009
      • April 2009
      • January 2009
    • 2008
      • October 2008
      • July 2008
      • April 2008
      • January 2008
    • 2007
      • October 2007
      • July 2007
      • April 2007
      • January 2007
    • 2006
      • October 2006
      • July 2006
      • April 2006
      • January 2006
    • 2005
      • October 2005
      • July 2005
      • April 2005
      • January 2005
    • 2004
      • October 2004
      • July 2004
      • April 2004
      • January 2004
    • 2003
      • October 2003
    • 1991
      • October 1991
      • April 1991
  • Translators needed!
  • Propose an article
  • ICB Sections
    • Message from the President
    • Message from the Editor
    • FocusPosts about the ICB dossier content
    • IFCM News
    • Choral World News
    • Choral Technique
    • Impossible Interviews
    • Repertoire
    • Composers’ Corner
    • Book Review
    • CD Review
  • ICB Space Order
  • ICB STAFF
  • Events
  • Deutsch Deutsch
    • English English
    • Français Français
    • Español Español
    • Русский Русский

Giacomo Monica

Giacomo Monica studied music at the Parma Conservatory of Music, graduating in violin with honours and distinction; he then studied at the Accademia Chigiana in Siena with Salvatore Accardo. He is a professor of violin at the Conservatory 'Boito' in Parma. Since the 70s, he has also devoted himself to choral music and to ethnomusicology research, speaking at national conferences on folk music, and participating in the juries of many international competitions. Systematically, he takes courses for young singers and choir directors. In 1978, he founded the Coro Montecastello, mixed voices, for which he wrote the pieces that make up the repertoire and with which he carries out regular choral activities. In 2008, he received the prestigious "Premio Caravaggio" for his attention to and appreciation of the folk song through the ethnomusicology research and choral arrangements. Recently, finding himself quite interested in the sonorities enclosed in Pinuccio Sciola's sculptures, he studied, in a rigorous way, new expressive paths in dialogue with the voice. Email: giacomomonica.3@gmail.com

Die Stimme der Natur und des Menschen

2016-04-15
By: Giacomo Monica
On: April 15, 2016
In: Choral Technique
With: 0 Comments

By Giacomo Monica, Chorleiter und Lehrender

1. Die Schönheit einer harmonischen Ästhetik

Ein möglicher Dialog zwischen dem Klang der Steine (Stimme der Natur) und der menschlichen Stimme (im Chor)Read More →

IFCM Partners

International Music Council

Sponsoring

Translate

Go to Today

november, 2024

Sort Options

Sort By:

date

Date

No Events

Categories

  • A trip to Venice
  • Book Review
  • CD Review
  • Children & Youth Choirs
  • Choral Technique
  • Choral World News
  • Composers' Corner
  • Focus
  • IFCM News
  • Impossible Interviews
  • Message from the Editor
  • Message from the President
  • Repertoire
  • Score Review
  • Stories
  • Uncategorized

Archives

  • October 2023
  • July 2023
  • April 2023
  • January 2023
  • October 2022
  • April 2022
  • December 2021
  • October 2021
  • July 2021
  • April 2021
  • January 2021
  • October 2020
  • July 2020
  • April 2020
  • January 2020
  • April 2019
  • January 2019
  • October 2018
  • July 2018
  • April 2018
  • January 2018
  • July 2017
  • April 2017
  • January 2017
  • October 2016
  • July 2016
  • April 2016
  • January 2016
  • October 2015
  • July 2015
  • April 2015
  • January 2015
  • October 2014
  • April 2014
  • October 2013
  • July 2013
  • April 2013
  • January 2013
  • October 2012
  • July 2012
  • April 2012
  • January 2012
  • October 2011
  • July 2011
  • April 2011
  • January 2011
  • October 2010
  • July 2010
  • April 2010
  • January 2010
  • October 2009

Daily Top Posts

  • A Conductor’s Guide to Ligeti’s "Lux Aeterna"
    A Conductor’s Guide to Ligeti’s "Lux Aeterna"
  • Coming Together for the Asia Choral Grand Prix
    Coming Together for the Asia Choral Grand Prix
  • World Youth Choir Alumni Session 2023 — Session Summary
    World Youth Choir Alumni Session 2023 — Session Summary
  • Ligeti by...
    Ligeti by...
  • Frank Martin’s Mass for Double Choir
    Frank Martin’s Mass for Double Choir
  • The European Festival of Youth Choirs Basel: 2000 young singers at the heart of Europe
    The European Festival of Youth Choirs Basel: 2000 young singers at the heart of Europe
  • György Ligeti Street in Budapest
    György Ligeti Street in Budapest
  • Sharing spiritually-inspired choral music: Exploring commonalities and promising practices
    Sharing spiritually-inspired choral music: Exploring commonalities and promising practices

Facebook Page

Facebook Page

Contacts & Info

International Federation for Choral Music (IFCM)
Nadine Robin, IFCM Office Manager
PO Box 42318
Austin TX 78704, USA
office@ifcm.net

Privacy Policy Designed using Magazine Hoot. Powered by WordPress.

We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.OkNoPrivacy policy