Chorsingen in Brasilien
Einleitung
Wie Carvalho in einem früheren Dossier über das Chorsingen in Brasilien[1]erwähnte, machen es die große Flächenausdehnung des Landes, die tiefgreifende Mischung der Einflüsse, …Read More →
Flavio Silva received his musical training in piano (Rio de Janeiro and Porto Alegre) and Musicology/Ethnomusicology (Sorbonne, Paris), where he wrote the dissertation “Origines de la samba urbaine à Rio de Janeiro”. He also graduated in Philosophy at the NationalPhilosophySchool in Rio de Janeiro. Mr. Silva is the Coordinator for Classical Music at FUNARTE, the Brazilian National Arts Foundation, where he oversees activities ranging from the preservation of historic music archives to the famed Bienais de Música Brazileira Contemporânea. He has published several articles and books, among which are “Camargo Guarnieri: o tempo e a música”, and the catalog of composer Francisco Mignone. Elected in 2008, Mr. Silva occupies chair number 28 at the Academia Brazileira de Música. He has two children, and is married to acclaimed Brazilian pianist Laís de Souza Brazil, also a member of the Academia. E-mail: flazil@terra.com.br // Samuel Kerr has made his musical career in the field of vocal music, as a choral director, arranger, organist and teacher. He has directed, among others, the Coral Paulistano do Teatro Municipal de São Paulo, the São Paulo State University Choirs, which he founded, the Cia Coral, the Cantum Nobile Choral Association, the Medical Students Choir at the Santa Casa Hospital, the Madrigal Psichopharmacom, and several other ensembles. He has also been the director of São Paulo’s MunicipalMusicSchool and main conductor of São Paulo’s Municipal Youth Orchestra. E-mail: smkerr@terra.com.br // Dr. Eduardo Lakschevitz teaches History of Music at the FederalUniversity of the State of Rio de Janeiro (UNIRIO). He holds a Doctorate in Music Education from the same institution, and a Master’s degree in Choral Conducting from the University of Missouri-Kansas City (UMKC). A frequent guest teacher in Brazil and the United States, Dr. Lakschevitz has recently taught at SyracuseUniversity and WestminsterChoirCollege. He has developed corporate training programs through choral music in major Brazilian companies, in areas such as services, communications and education. He also serves as the pedagogical coordinator for choral music at FUNARTE (National Arts Foundation). His compositions and arrangements are published by Alliance Music and Colla-Voce. E-mail: edulx@me.com // Eduardo Fernandes teaches choral conducting at the UNIFIAM/FAAM, and directs the CORALUSP XI de Agosto, the UNIFESP Choir and the Fine Arts University Center Choir. He holds a Master’s Degree in Music (São PauloUniversity), awarded for a dissertation on “Vocal arrangements of popular music in São Paulo and Buenos Aires”, and a Bachelor’s Degree in Performance – bassoon (University of Campinas). Mr. Fernandes has been invited as a guest teacher at several courses throughout Brazil, including: Laboratório Coral de Itajubá, Fórum Rio a Cappella de Música Vocal and Painel FUNARTE de Música Coral. His main area of research focuses on the applications of body percussion sounds and movements on choral singing. E-mail: dufer@terra.com.br // Choral director, arranger and scenic director, Patricia Costa holds a Music Education Degree (1996) and a Master’s Degree (2009) in Music Education, from the FederalUniversity of the State of Rio de Janeiro (UNIRIO), for research into different conducting approaches to youth choirs. Author of several articles on the same topic, Mrs. Costa directs the choral programs in two schools: Colégio Cruzeiro and São Vicente de Paulo, a choir which, under her direction, won the First Prize at the II FUNARTE National Choral Contest in 1999. She is a frequent guest teacher at the Brazilian Conservatory of Music (Rio de Janeiro) and at the FederalUniversity’s Fine Arts School, in Paraná. E-mail: pccantocoral@gmail.com
Einleitung
Wie Carvalho in einem früheren Dossier über das Chorsingen in Brasilien[1]erwähnte, machen es die große Flächenausdehnung des Landes, die tiefgreifende Mischung der Einflüsse, …Read More →
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