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Philip Copeland

Philip Copeland is Director of Choral Activities and Associate Professor of Music at Samford University in Birmingham, Alabama. His choirs are frequent performers and award winners in international competitions and conferences of the American Choral Directors Association as well as the National Collegiate Choral Organization. At Samford, he teaches classes in conducting, diction, and music education. Dr. Copeland holds degrees in music education and conducting from the University of Mississippi, Mississippi College, and Southern Seminary in Louisville, KY. In Birmingham, he directs music at South Highland Presbyterian Church and prepares the Alabama Symphony Chorus in performances with the Alabama Symphony Orchestra. He is father to triplet nine-year old daughters: Catherine, Caroline, and Claire.

iPads, Androids und Slates: Tablet Computing und Chormusik im Jahr 2016

2016-10-15
By: Philip Copeland
On: October 15, 2016
In: Choral Technique
With: 0 Comments

Von Philip Copeland, Chorleiter und Lehrer

In unserer schnelllebigen technologischen Gesellschaft entscheiden sich Chorsänger und Chorleiter oft dafür, den Tablet Computer als Ersatz für die Notenmappe aus Papier auszuprobieren. Die…Read More →

choral technology

Technologie und der Chorleiter des 21. Jahrhunderts

2016-01-15
By: Philip Copeland
On: January 15, 2016
In: Choral Technique
With: 1 Comment

Einfach effektiver werden durch die Nutzung von Technologie

Von Philip Copeland, Chordirigent und Lehrer

 

Das Internet spielt jetzt in fast allen Bereichen unseres Lebens eine wichtige Rolle; wir finden es in Geschäftsv…Read More →

Lettische Chormusik: Pēteris Vasks, Uģis Prauliņš und Ēriks Ešenvalds

2013-10-15
By: Philip Copeland
On: October 15, 2013
In: Repertoire
With: 0 Comments

Philip L. Copeland, Dirigent und Hochschullehrer

 

Unbestritten ist der Reichtum in der lettischen Chormusik. Ein geheimnisvolles Gefühl durchzieht die vertikalen Harmonien und die lyrischen Melodien. Zuhörer fühlen s…Read More →

The Speeds the Thing: Fast and Furious Choral Music from Hungary

2013-01-15
By: Philip Copeland
On: January 15, 2013
In: Repertoire
With: 0 Comments

…Read More →

Das Tempo Macht‘s: Schnelle und wilde Chormusik aus Ungarn

2013-01-15
By: Philip Copeland
On: January 15, 2013
In: Repertoire
With: 0 Comments

Philip Copeland, Dirigent und Lehrer

 

Chorleiter verbringen eine große Menge an Zeit, um das perfekte Stück für ihren Chor zu suchen.  Für viele ist das schwierigste dabei, Chormusik in schnellem Tempo zu finden.  Langsame We…Read More →

Nach Eric: Junge amerikanische Komponisten nach 1980 (Teil 2)

2015-07-01
By: Philip Copeland
On: July 1, 2015
In: Repertoire
With: 0 Comments

Von Philip Copeland, Chorleiter und Lehrer

 

Dies ist der zweite Artikel einer zweiteiligen Serie über amerikanische Komponisten, die nach 1980 geboren sind. Viele Jahre lang dominierte Eric Whitacre zusammen mit Morten Laurid…Read More →

Polnisches Mysterium und Minimalismus: Twardowski, Bembinow und Łukaszewski

2014-10-21
By: Philip Copeland
On: October 21, 2014
In: Repertoire
With: 0 Comments

Von Philip Copeland, Dirigent und Dozent

In den späten 1990er Jahren entstand die Bezeichnung „Heiliger Minimalismus”, um das Werk des englischen Komponisten John Tavener (1944-2013), des estnischen Arvo Pärt (*1935) und des polnisc…Read More →

Nach Eric: Neue amerikanische Komponisten, geboren ab 1980 (1. Teil)

2015-04-09
By: Philip Copeland
On: April 9, 2015
In: Repertoire
With: 1 Comment

Von Philip Copeland, Chorleiter und Lehrer
Übersetzt aus dem Englischen von Klaus L Neumann, Deutschland

 

Eric Whitacre veränderte die Landschaft amerikanischer Chormusik drastisch mit seiner Komposition “…Read More →

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